25 Sep 15

If you commit to using this system you really want to have a very large bankroll and amazing fortitude to march away when you earn a small win. For the benefit of this material, an example buy in of two thousand dollars is used.

The Horn Bet numbers are surely not looked at as the "winning way to compete" and the horn bet itself carries a house edge of over twelve percent.

All you are betting is $5 on the pass line and ONE number from the horn. It doesn’t matter whether it’s a "craps" or "yo" as long as you bet it always. The Yo is more dominant with gamblers using this approach for clear reasons.

Buy in for $2,000 when you join the table however only put $5.00 on the passline and $1 on one of the two, 3, eleven, or 12. If it wins, fantastic, if it does not win press to two dollars. If it does not win again, press to $4 and then to eight dollars, then to $16 and following that add a $1.00 every subsequent bet. Each time you do not win, bet the last amount plus a further dollar.

Using this scheme, if for example after fifteen rolls, the number you wagered on (11) has not been tosses, you probably should walk away. However, this is what might happen.

On the 10th roll, you have a sum total of one hundred and twenty six dollars on the table and the YO finally hits, you earn $315 with a gain of $189. Now is a perfect time to go away as it’s a lot more than what you joined the game with.

If the YO does not hit until the twentieth toss, you will have a total investment of $391 and because your current action is at $31, you come away with $465 with your take being $74.

As you can see, employing this system with only a one dollar "press," your gain becomes tinier the longer you bet on without attaining a win. This is why you must march away once you have won or you have to wager a "full press" again and then advance on with the $1.00 increase with each roll.

Crunch some numbers at home before you attempt this so you are very familiar at when this system becomes a losing affair instead of a profitable one.


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